These videos by our best fighter pilots were recorded with Alien technology: Forward Looking Infrared Radar. Naked to the human eye. Cloaked just like Star Trek. But they were there.
The Pentagon vetted these videos for public release and Tom DeLonge of Blink-182 issued them as part of his Astro-non-profit: To the Stars – Academy of Arts & Science
Gimbal video – In 2015 the USS Roosevelt encountered a UAP which when the FA 18 Hornet pilot locked on darted horizontally at speeds that would rip a pilot’s spine through his back hole.
Tic Tac video – In 2004 the USS Nimitz off San Diego captured footage of an oblong UAP (shaped like the breath mint). Once the fighter pilot locks on for an extended length the Tic Tac zooms horizontally at breakneck speed.
Go Fast – In 2015 the USS Roosevelt; of the eastern seaboard near Florida. You hear them exclaim, “what is that thing?”
There are no explanations for these kinds of speed achieved. Neither the Russians, nor the Chinese have this flight capability. Pilots could not sustain the G force of the acceleration. Drone technology is not that advanced.
I suspect the Navy released these as the usual “we’re falling behind Alien weaponization, so give us even more money.”
How it must feel for the most advanced Navy on the planet to be helpless to a swarm of UAP’s
USS Omaha: (2019); Off the coast of San Diego
I’m more of an Ancient Astronaut Theorist (Sumerian “sky gods” as interplanetary travellers), but for modern UAP/UFO enthusiasts, be sure to watch two programs
Unidentified – With guys like Lu Elizondo (part of the UAP military investigation force funded by Congress), Tom DeLonge, Bob Bigelow (aerospace cut out for the US military in private space development)
The Discovery channel did a 3 hour panel show called UFOs Declassified. Interviews with reporter George Knapp, who outed Area 51, Nick Pope who headed up the UK’s UFO investigations and several physicists and deep state spooks working this territory.
So in conclusion, what does this have to do with Reggae music, Smile Jamaica and community radio?
Nothing. I just wanted to celebrate the Roswell NM UFO crash the Bobbylon way: UFO songs, UFO movie trailers, UFO soundbytes.
My Roswell connection. My brother in law used to sell high tech pipe in New Mexico. Roswell was a territory. He was having lunch with a client and just curiously asked, “what’s the deal with the UFO crash.”
The crusty old rancher he was having lunch with said that the local coroner was visited by the Air Force and asked to bring 3 child size coffins to the Air Field. The rancher said that he was no tin foil hatter and total straight shooter.
That’s all the proof I need to know that Aliens are here! Aliens are coming!
There ain’t nothing we can do to stop them coming. We are like bugs to them. In return for Alien tech like FLIR, velcro, Teflon, stealth flight, GPS and the drink Tang, they probe a few of us and mutilate some cattle.
If they decide we are a menace, and go for the Alien invasion, here is my advice for the last days…
Good luck humans!
Berlin Philharmonic Orchestra – Also Sprach Zarathustra; 2001 Space Odyssey Soundtrack (MGM) ‘68
Theme from Star Trek
The Police – Walking on the Moon; Reggata de Blanc (A & M) ‘79
Laurel Aitken – Apollo 12; The Pama Years (Grover) ’69 comp.
Anjali – Space Lust in the Space Dust; Anjali (Wiiija) 2000 UK Hindi dawta
Kingman + Jonah feat. Claudious Linton – Star Wars; Sign of the Times (Sunking) 2008
Derrick Morgan – Man Pon Moon; Moon Hop (Pama) ‘69
Dennis Alcapone – Flying Machines (The Sky’s the Limit); Guns Don’t Argue (Trojan) ’72 comp.
Lee “Scratch” Perry & Dub Syndicate – African Hitchhiker; From the Secret Laboratory (Mango) ‘90
Nicky Thomas – Doing the Moonwalk; Doing the Moonwalk (Trojan) ’70 comp.
Everyone has an origin story. Here is mine. I ‘n’ I had moved to Salt Lake City, Fall of 1986 to attend the University of Utah. Left Bozeman, Montana (Montana State) and brought with me a good stereo system. Laser turntable, Bose 301 speakers, cassette deck and amp.
I also brought with me this new fangled gadget called the CD player. In Montana I had always been a music obsessive and I ‘n’ I was probably the first on the block to purchase a CD player. Well, Mom got it for me Xmas 1985. Fisher model you would get at Montgomery Wards. So low frills all it displayed was the track number.
Salt Lake City had great independent record stores when I arrived in 1986. (Most are gone today). I had switched over from vinyl to the aluminum coaster thingees that were pretty expensive. $18 in 80’s money must be about $30 dollars today.
I had met some people in the dorms and one of them was a Jewish trust fund kid named Neil Copperman. I was in that sort of mid 80’s rut where all my favorite groups were flogging a synth drum excess that I wasn’t into. The Clash fell apart. My favorite college rock band was Minutemen and their frontman, D. Boon died in a car accident.
I ‘n’ I was looking for a new genre to collect. Bought some blues. Dabbled in world. Nothing really sunk in. Neil and I would trade disks and make cassette copies. One day we were in his room: small concrete bunkers. His stereo was better than mine. He brought out a CD by a group that looked like Prince with dreadlocks: Michael Rose, Ducky Simpson and black beauty Puma Jones.
Dropped the disk in the player, itched up the volume and BLAM. The heavens parted, trumpets blared. It was Black Uhuru meets Sly & Robbie. That synth drum crap I hated on the Rolling Stones records was massive on this Reggae outing.
That disk lit the fuse and I ‘n’ I never looked back. Spring of 1987 I was involved in a campus radio station called K-UTE. I programmed, if you could call it that, a Reggae show called Positive Vibration named after the Bob Marley tune.
Spring 1988 my college roommate and I were in the Pie Pizzeria. They were listening to the community station called KRCL. I had discovered their two mainstay programs devoted to Reggae: Smile Jamaica(Sat. 1-4pm) hosted by Rutabaga Reese. Wednesday nights was Nite Roots with Papa Pilgrim.
I ‘n’ I would listen to Smile Jamaica with a note pad and jot down all these great albums that Rutabaga was playing: Ini Kamoze, Don Carlos, Wailing Souls, Mighty Diamonds. Bliss. Saturday afternoons became “my college for musical knowledge” with the Dub Professor, Rutabaga Reese.
That night in the pizza joint we heard a call out for new volunteers. Roomie wanted to do 80’s college rock (they were set for that.) I was selected to do a late night/early morning show called 3 O’clock Roadblock (another Bob tune.) The weekend before I debuted, June 26, 1988 I ‘n’ I roadtripped to San Francisco and scoured the city spending my student loan cash to front music for the new show: night owls, insomniacs, 7-11 workers and cat burglars.
Super hot summer. Great way to learn the ropes.
I programmed late nights from end of June 1988 to August 1989. A couple months later I went from the minor leagues to prime time, Saturday afternoons, Oct. 1989 to share Smile Jamaicawith Rutabaga. But that’s a story for another day…
Thank you KRCL for granting me the privilege to juggle the black wax and spin the aluminum for the masses for an incredible 1/3 of a century. In media that streak is almost unheard of.
Smile Jamaica Ark-Ives June 26, 2021 Playlist – 33 Years of Reggae Radio
Black Uhuru – Party Next Door; Anthem (Island) ’83 – E.T. Thorngren rmx
I Roy – Heart Don’t Leap; Keep on Coming Through the Door (Trojan) ’71 comp.
Ever since Pres. Eisenhower was whisked up into a space craft in 1954, the American government has known and held back the truth. UFO’s piloted by Extra Terrestrials have emerged since the world achieved nuclear weapons.
Apparently, no more lame denials. Prepare yourself that we are not alone.
What’s that you say? Another tin foil conspiracy from binging on Ancient Aliens eps during the Covid Lockdown?
Ike was supposed to go golfing and then slipped his security detail. He went up into an alien spacecraft and signed an intergalactic treaty. He claimed to have had a “dental emergency”. Why no Secret Service?
Basically in return for advanced technology like velcro, teflon, GPS, aerial stealth/anti-radar and Tang, the aliens would have free range to probe (humans) and mutilate (cattle).
I ‘n’ I was getting cross eyed with my bredrin Aquaboy and he mentioned an article in The New Yorker, of all places: The U.FO. Papers
Here is the teaser on the cover:
For decades, believers have felt that evidence of alien visitations has been dismissed by the U.S. government. With formation of an official task force, is the Pentagon taking flying saucers seriously?
It is basically the story of UFO investigator Leslie Kean and her trials and tribulations sifting out the unexplained from the hoaxes and disinformation. How the Pentagon resisted any Congressional oversight and tried to quash the Unidentified Aerial Phenomena* being reported and filmed with alien, infrared technology, by US Naval Pilots.
* Unidentified Flying Objects
Called Tic Tacs, from the capsule shaped breath mint, the rate of speeds these crafts could achieve would have sucked a human pilot’s spine out of his asshole. Now that’ a probin’!
The geriatrics at 60 Minutes did a UAP study. British paper, the Telegraph, has also done stories. But hang on a second.
I think it was either Bob Marley or Woody Allen who said that “I ‘n’ I don’t want to be in a club that would have me as a member.”
Now that UAPhoria(?). Nah, now that UFOria is mainstream. When even the old codgers who watch 60 Minutes are coming aboard, I’m suspicious.
RT is a regular source I ‘n’ I go to for Alien runnings. Maybe because Russia’s leader looks like an alien: Vladimir Putin.
The crescendo of UAP/UFO legitimacy has an ulterior motive. It is to show that the American military is incapable of defending us from these Tic Tacs and thus needs trillions more for weapons development.
Washington Post, Pravda on the Potomac, and all the rest love war. Congress loves military aid to their districts. If the New York Times is for it, you should scoff. Their admission of alien space craft has more to do with China and Russia.
Wars and rumors of war. Dempublican or Republicrat, it never ends. As Keith Poppin laments, “Same Things For Breakfast”
And as I ‘n’ I read in the New Yorker article. All the discussion was on the crafts themselves. Not who or what is behind piloting these UAP’s. So I think that is what is being missed.
<Smile Jamaica: UFO’s and Christopher Columbus>
What is gonna happen when they touch down in our fields, parks and dispensaries? They are gonna drop down right on the White House lawn. And we will have to take it.
Are people gonna be fixated on the craft they arrived in? Do you think the Native Americans who greeted Columbus at Plymouth Rock in his three ships the Nino, Pinto and the Santa Clara*
*Listener emailed me who didn’t get my joke from Animal House: “Did America give up when the Germans bombed Pearl Harbor?”
Do you think the Taino tribe who first encountered Columbus in what is today the Bahamas were fixated on the Nina, Pinta and Santa Maria – his three ships?
No, they were in wonderment at these strange men with four legs (on horseback) and wooly faced encased in a shiny shell.
Well, we better be ready for the same experience. “Who are these little green people with bulbous eyes, long fingers, and teardrop heads?”
Let us hope the Aliens are a tad more benevolent to the “natives” than the conquistadors were to the indigenous peoples of the New World.
Don’t forget, Eisenhower sold us out for probes and mutilations. Doesn’t bode well. For I’n’ I.
Let’s hope the Aliens are “probing” us not for malicious intent, but because of our weed.
You are the big tree, we are the small axe. Sharpened to cut you down — The Wailers
Last month I ‘n’ I drove my parents from Arizona back home to Fort Benton, Montana (see previous blog post.)
When you make that journey, it is wise to build in some weather time. Spring in Montana lasts about a week. I remember as a youth snow storms in August.
So once we got settled I had about three days with not much to do.
I ‘n’ I had been carving out some time to watch a series on Amazon Prime called Small Axe.
This is an ambitious five movie anthology put together by UK producer/director Steve McQueen. (No relation to the American actor who died of cancer in the early 80’s.)
McQueen is most known for his movie adaptation of 12 Years a Slave. Born in London to West Indian immigrants, Small Axe chronicles the lives of the Caribbean immigrants into English inner cities and the trials and tribulations that they face.
The films are not connected like a television mini series but stand on their own. Here is my audio review clipped from this episode of Smile Jamaica:
<Smile Jamaica reviews Small Axe>
The Mangrove was a West Indian hangout and restaurant set in Notting Hill London. A place where people could play dominos, eat Island food and build community liaisons against the unremitting hostility from local cops.
Those cops didn’t see The Mangrove as a commercial community center. Instead they assumed it was a den of iniquity: gambling, drug dealing and prostitution. The bobbies (London white cops) would periodically descend on the spot and demolish the interior, roust the patrons and harass the owner. A man named Frank Critchlow.
Finally with help from the local chapter of the Black Panthers and sympathetic liberal white barristers, the club sued and was able to exist as a social, commercial pillar of Notting Hill’s black community.
The unremitting racism was very reminiscent of last summer’s Black Lives Matters protests in the US with the amplifier of 60’s and 70’s British hostility directed at immigrants.
The music was terrific late era 60’s and early 70’s Reggae and Rock Steady.
This featured the Caribbean youth phenomenon of the shebeen in London. House parties where people would gather and listen to the UK variant of Reggae called Lovers Rock. Pay a little entry fee, have some West Indian food and alcohol. Inside would be a small Reggae sound system, complete with toaster MC.
Young women were a major commercial force in the local Reggae scene. They didn’t want to hear dread and Rasta, they wanted smooth love tunes sung by Reggae songbirds like Janet Kay, the family trio 15, 16, 17 and Brown Sugar. The guys didn’t mind because it was mostly slow dances where they could “rub up a dawta.”
The women wore their best finery. The men dressed up as dandies. Same era in America as Saturday Night Fever. People hooking up, breaking up and cooling out. Highlight was a scene where the pretty song by Janet Kay runs out of the groove and the entire party breaks out the lyrics in acapella.
Red, White and Blue
Local youth breaks through the racism and lack of connections to receive a Ph. D. and work as a researcher. However, his community is being devastated because of the constant beat down of young black men by viciously racist and cruel white cops.
Therefore he decides to give up his scientific career to become one of the first black bobbies (cops) in England. The locals see him as a traitor while the white cops use passive aggression and provocation to undermine his policing to the point of not backing him up in a violent criminal confrontation.
Reminiscent of American baseball player Jackie Robinson. A proud and determined black man who broke the color barrier and was called every foul name in the book. He had the strength to let it roll off his back and not let his anger fight back physically or verbally.
You can sense the seething in the young cop about how many more times is he expected to turn the other cheek.
Black foster kid from the countryside is dropped off in big city. Is initiated into petty crime and turns to Reggae music for salvation. His goal is to create his own sound system. Taking his weekly “winnings” to a local record shop to buy the latest Reggae singles and 12″ disco mix.
My Mom happened into the living room while there was all this great music bumping. On the wall was the usual offering of 70’s Reggae LPs imported from Jamaica.
She asked, “Do you have any of those records?” I paused the movie and counted. Yep. I had every record but one.
Wheatle eventually winds up in prison after the 1981 Brixton riots. His cellmate is a Rasta who introduces him to literature. Eventually Wheatle became a successful novelist in Britain.
The consistent theme through Small Axe is the unrelenting beat down that working class blacks face, in this instance England. Racism, poverty, lack of job opportunities, disjointed families, educational discrimination. Murder and assassination: Birthday parties firebombed,
In this movie a young boy who might have a learning disability or maybe because his parents work night shifts and odd hours he never learned to read.
There was no interdiction at that time. So the youth was sent to a euphemistically titled School for the Educationally Subnormal. Black children with heavy West Indian accents were assumed to be, what would have been called then, retarded. So these kids were dumped into a nightmarish “education” environment with children who had serious developmentally disabled white kids.
Of course the kids were not retarded, and were bored silly. Left to their own devices with teachers who were either absent or wasted time playing half assed folk songs on the guitar. To be cast into those “schools” meant that those kids had no chance to advance into the work force upon “graduation.” The poverty of racism and discrimination was their fate.
The not so subtle educational segregation only served to perpetuate the lack of opportunity for West Indians and their children for a generational cycle of misery and despair that we unfortunately still deal with in America.
With 2020’s Summer of Rage after the George Floyd murder, this anthology was a perfect complement on the UK experience.
In sum: I definitely will want to watch Mangrove, Lovers Rock and Alex Wheatle at home on my Hi Fi. I think I blew out my Dad’s hearing aid battery. “Jesus Christ, do you have to listen to it so loud?”
Yes, Dad. I do!
Smile Jamaica Ark-Ives: May 15, 2021
Peter Broggs – Rastafari Liveth!; Rastafari Liveth! (RAS) ’82 DC vinyl
Black Uhuru feat. Sly & Robbie – Ion Storm; Dub Factor (Mango) ’83 US vinyl dub album of the hour
Alpha Blondy – Cocody Rock; Cocody Rock (Shanachie) ’84 Ivory Coast West Africa
Carlene Davis – Don’t You Stop the Music; 15 Classic (Sonic) early 80’s
The Ethiopians – Everything Crash; Original Hit Reggae Sound (Trojan) ’68 comp.
I ‘n’ I think it was the late 90’s. I was in a long gone record shop in Salt Lake City cratedigging as usual. Ran into one of the fellow deejays at KRCL. He was one of the Drivetime programmers (he shall remain nameless). Drivetime: 3-6 PM. He started a little fun tradition he called 4:20* funk.
*4:20 – 420 – Smoker’s slang for getting together after school to burn some hippie lettuce.
Alas, he was told by the station manager to cut it out. As soon as he said that to me, a light bulb went off in my head. Smile Jamaica plays 4-7 PM.
Thus, sometime around 1998 the Cannabis Service Announcement was born. KRCL plays public service announcements highlighting (no pun intended) a worthy non-profit. That’s what I ‘n’ I intended to do. I have at least a thousand cannabis songs in my Ark-Ives. All formats. All genres. Peter Tosh – Legalize It in the same way giving money to a food bank serves the same worthy cause.
First set, around 4:20 PM I will spin a tasty herbtune. A few years later that expanded into the full on 3 hour specials on the Saturday closest to April 20th.
The station manager at the time didn’t really like me and thus probably didn’t care for Reggae. And since staff weren’t in their offices on the weekend, I could skate.
I ‘n’ I always saw it as an exercise in free speech if nothing else. Isn’t that what I’m supposed to do? No one ever said anything. And soon that show became my most popular during any year.
Later, there was a student who worked in my department who confessed she figured out who I was when she heard my voice at a 420 pot party where they were playing Smile Jamaica.
There is hope for the youth….
Wheel it forward a few years. I ‘n’ I was transferred into Audio Production at the University of Utah where I toil. I was in charge of a professional audio studio. I literally taught myself the recording setup and digital sound editing through cannabis music, movies, comedy albums and special efx.
That’s when I started adding the movie trailer clips (Jackie Brown, Pulp Fiction), comedy bits (Steve Martin, Chevy Chase, Cheech and Chong), bongrips and vocal salutations to the Seven Leaf from countless Reggae, Rock and Dub albums.
Rip tune to Itunes
Upload song to Audacity sound editor
clip 420 byte
save as .mp3
stitch between the songs
On this dubplate you can hear me play a 4:20 min. bongrip symphony. (Eat your heart out, Leonard Bernstein). I do a Marley-juana mix of selections from all of Bob’s herbal delights.
My Digital Dubplate renderings are when I ‘n’ I am either out of town or KRCL is in fund drive mode, which it will be Sat. April 18th.
Plus I am heading out of town driving my parents back to Fort Benton, Montana from Sun City West, AZ. Now both those states have legalized the collie herb! First night in Mesquite (legal).
Second day drive through the dry Mormon Triangle states of Utah and Idaho to get to the Big Sky High in Montana. (The third leg of the triangle, Wyoming has an adult use bill working its way through the legislature.)
Crap. I ‘n’ I was still processing the loss of Reggae stalwart U Roy. I was actually at work editing a sound file when all of a sudden my phone lit up. Twitter, Rolling Stone, friends: Bunny Wailer passes of complications from a stoke he had last summer. At 73, that is far too young. But now he adds the high harmony to Bob’s tenor and Peter’s baritone.
As it was and ever shall be. Selah!
Bob was the rock star. Peter the militant. And Bunny was rightfully the mystic man of the trio. He didn’t want to fit into the rock star mold that Island owner Chris Blackwell wanted for the group. So he pulled out and re-trenched as a Rasta philosopher and dancehall pioneer. His high harmonies on Hallelujah Time*, which I lead off with today, speak to his gospel prowess.
*Great name for a Reggae radio show/podcast!
<Hallelujah Time; 32 sec.>
As befit their ghetto roots that led to so much great music, they were all inter-related. Bunny’s father lived with Bob’s mother and had a dawta. Bob’s half sister. Peter had Andrew Tosh with Bunny’s sister. So even when the 3 went their separate ways, they were still and always a family.
<Why I call it Wailers Family Tree; 30 sec.>
For I ‘n’ I, Bunny Wailer always means two things. The record I purchased before I was even into Reggae: Blackheart Man. Saw it front and center at the foundation Salt Lake City record shop Cosmic Aeroplane. Great Neville Garrick cover art. Gatefold sleeve, rare for a Reggae record. Of Bunny, spliff in his mouth, a lion protruding from his third eye while an extra terrestrial looking Haile Selassie sits upon his shoulder. That album helped light the fuse.
The Blackheart Man. Indeed!
<Blackheart Man, earliest addition to the Smile Jamaica Ark-Ive; 58 sec.>
The other sublime Bunny Wailer is his stepping out on lead with the 1971 recording of Dreamland. The lyrics are all about going to heaven. (The last song on this podcast edition.) Lee “Scratch” Perry brought out that terrific mysticism that is so authentic and powerful. When its my turn, I’ve asked it to be played at any gathering my would family have.
Thank you Neville Livingston for making us enriched with the power of your music and the beauty of your voice.
Bonus Story: How Thievery Corporation saved me in a blizzard going over Monida Pass, Holiday 2002
Smile Jamaica Ark-Ives: March 6, 2021 Playlist: 2 min. 35 sec.
Horace Andy – Oh Lord, Why Lord; Best of (Studio One) ’72 JA vinyl; Parliament/G. Clinton cover
Jah Shaka – Institution Dub; Dub Masters Vol. 1 (Mango) ’89 UK vinyl dub album of the hour
The Wailers – Hallelujah Time; Burnin’ (Island) ’73 UK vinyl: Bunny Wailer on vox. RIP
Bush Chemists – Time of Tribulation; Light Up Your Spliff (Conscious Sounds) ’96 UK Mutant Dub
Johnnie Moore & the Skatalites – South China Sea (Take 1); 10” EP (Top Deck) ’65 UK green vinyl trumpet ska
Cocoa Tea – There’s an Herb Tree in My Garden; Mr. Cocoa Tea (Blue Mountain) ’85 herbtune/Ben E. King Spanish Harlem
Universal Speakers – We Roots + Dub; We Roots (Catch Me Time) 2012 US roots dawta group
Thievery Corporation feat. Emilia Torriani – Heaven Is In Your Eyes; Richest Man in Babylon (ESL) 2002 DC dubbers
Lee Perry & the Upsetters – Soul Man; Double Seven (Trojan) ’73 cover of Sam & Dave soul
Judy Mowatt – Black Woman; Women Hold Up Half the Sky (Shanachie) ’76 comp.
Welton Irie – Man Next Door; 12” (Joe Gibbs Record Globe) ’79 FL: dj to Paragons tune
Johnny Clarke – Every Knee Shall Bow; Dreader Dread (Blood & Fire) ’78 comp.
From previous fly overs and images captured there are a lot of strange anthropomorphic sites on the surface of the planet.
The most famous image is at Cydonia: The Face on Mars. In 1976, NASA’s Viking orbiter (couldn’t land a vehicle on the planet then) captured an image of a mesa with an obvious human face.
The unimaginative scoffers at NASA tried to write it off as a trick of the light and shadows. But another photo captured it with even more clarity. Even after more pictures surfaced the agency still adheres to the notion Cydonia is an optical illusion.
Now is the time to put up or shut up. Send Perserverance to the base of the mesa shaped rock formation and let’s get a close up.
But that strategy is not without risk. Many of the Russian rovers who tried to map the surface were mysteriously fried and knocked out just to be a Martian junk yard.
Could it be the Martians don’t want to be found? Ancient Astronaut Theory says yes!
<NASA on Mars! For how long? 45 sec.>
What do I think? Thanks for asking! Mars has always been associated as a war planet of hostile intent.
Mars gets its name from the Roman God of War. The reddish hue of the planet gives off a malevolent vibe down below on Earth. Hindus called the red planet Angakara after their God of War and the occult. Wikipedia mentions that In ancient China, the advent of Mars was taken as a portent for “bane, grief, war and murder”.
My hypothesis is this. Cydonia is a temple to the Sumerian God Nergal. Consulting multiple episodes of Ancient Aliens, reading the text of my many Sumerian religion books (don’t call what came first mythology!), this is my analysis:
In the main 7 Ancient Astronaut pantheon of so-called Sumerian Gods, Nergal is the most malevolent. His planet is Mars.
Who is Nergal? The Greeks plagiarized him as Hades. God of the Underworld. Associated with fire, war, destruction, devastation, plagues, death. Pestilence. Consider him the God of Covid!
<Nergal (Mars) – The God of Covid; 2 min 55 sec>
The Martians who worship him, do not want their temple at Cydonia defiled. They can see what happens when mankind discovers/invades. Ask the Mayans and Aztecs the tender kindness shown to them by Conquistadors four hundred years ago. They are gonna protect what’s theirs. I don’t expect that cute little rover, Perserverance, to have a very long life.
<Your Ace From Outer Space; 77 sec.>
China and Elon Musk are trying to get to Mars as well. I ‘n’ I play the song by Alpha Blondy “Interplanetary Revolution” on this Smile Jamaica Ark-Ive podcast. The Martians know we never come in peace and they will not allow Starbucks, McDonald’s or Amazon on the Red Planet. No strip mining for minerals for Iphones.
Heed my prophecy, this will lead to weeping and wailing and gnashing of teeth. And why does any of this matter? I ‘n’ I found a fresh stack of UFO tunes by Burning Spear, Alpha Blondy, Cornell Campbell and I ‘n’ I wanted to rinse them out on my typical UFOria sets on Smile Jamaica!
As I ‘n’ I always say: Look to the skies! Do not scoff!
Reggae lost a giant this week. U Roy, age 78, joined Jah’s Heavenly Choir after a lifetime of diabetes. He wasn’t the first Jamaican to chant over Rock Steady riddims in the mid 60’s, but he was the most popular through his inventive lyrical style. He was the forefather to what came after: toasting (think Ranking Roger of the (English), Beat), 70’s Reggae deejay chanters, dancehall ragga and especially hip hop and rap.
Many of the NYC hip hop originators like Kool Herc came from Jamaican emigrants who brought their record collections north from the Island. His records helped develop the most successful new music format since rock or soul. No U Roy, no Public Enemy, Jay Z or Snoop Dogg.
The last song on this Ark-ive podcast continues his origination: Your Ace From Space which led indirectly to Neil Armstrong skanking on the Moon a year later.
Now Bob Marley and Peter Tosh have someone to chant over their riddims in Jah’s abode.
<RIP U Roy – inventor of toasting, deejay, hip hop and rap; 56 sec.>
Smile Jamaica Ark-Ives: Feb. 20, 2021
Sister Frica – One in the Spirit; Rockers All-Star Explosion (Alligator) ’78 Chicago vinyl; ’85 comp.
The Revolutionaries? – Ital Step; Vital Dub Strictly Rockers (Hitbound) ’76 Brooklyn vinyl dub album of the hour
U Roy – The Originator; Rock With I (RAS) ’78; RIP inventor of deejaying
Zema & the Gladiators – Trouble Never Set; Jubilee (Melchizedek) 2009 SoCal female artist
Jackie Opel & the Skatalites – Valley of Green (Take 2); 4 Track EP (Top Deck) ’65 UK green vinyl
Culture – International Herb; Livity (RAS) ’98 4:20 Cannabis Service Announcement
Rico Rodriguez – Rico’s Special (Reloaded); 10” (Above Rock) ’76 NY picture sleeve; trombone
Horace Andy – Better Collie; Prime of Horace Andy (Music Club) ’75 herbtune
Barry Brown – Stand Firm; Far East (Hitbound) ‘81
L.S. Diesel Meets Digidub – Skunk Funk (The Mix); King Size Dub Volume 1 (Echo Beach) ‘95
Rockers Hi Fi – Transmission Central; Thievery Corporation: DJ Kicks (!K7) ’99 dub comp
Big Youth – Get Up Stand Up; Trojan Tribute to Bob Marley Box Set (Trojan) ’76 Marley/Tosh cover
Here’s hoping you had a pandemically correct 4th of July. It’s okay to be paranoid, they are watching if you didn’t!
Do you know what else happened around the 4th of July? 1947? The Alien crash at Roswell, New Mexico.
Roswell is the air field that delivered the atomic bombs that destroyed Jah-pon. Created at Los Alamos in New Mexico. Do you think it is a coincidence that the ground zero for nuclear weaponry was “probed” (pun intended) by extra terrestrial watchers?
Sometime in late June 1947 a ranch foreman in the rural scrub land around the Roswell Army Air Field, named Brazel collected debris, that was non-earth metals in origin. Ultimately, he delivered the pieces to the Army.
On July 8, 1947 the local paper, the Roswell Record, published a statement from the Army….
<Roswell UFO crash: June 1947 audio story>
Army press release is fascinating:
The many rumors regarding the flying disc became a reality yesterday when the intelligence office of the 509th Bomb group of the Eighth Air Force, Roswell Army Air Field, was fortunate enough to gain possession of a disc through the cooperation of one of the local ranchers and the sheriff’s office of Chaves County. The flying object landed on a ranch near Roswell sometime last week. Not having phone facilities, the rancher stored the disc until such time as he was able to contact the sheriff’s office, who in turn notified Maj. Jesse A. Marcel of the 509th Bomb Group Intelligence Office. Action was immediately taken and the disc was picked up at the rancher’s home.
Flying disc. It wasn’t theirs. Flying object. Disc. Disc, Disc. Extra Terrestrial.
Ancient Astronaut Theorists 1; Scoffers 0
Alas, it couldn’t be…
The higher ups in the military back in DC freaked out. They issued a weak sauce retraction. Jesse Marcel, the local intelligence officer assigned to the Roswell Army Air Field had to issue a mea culpa. It wasn’t flying disc. It was a “weather balloon.”
Marcel’s family says that he was threatened to comply even though he knew it was not a weather balloon but a crashed spaceship.
He is holding a “piece” of the “balloon” as he bleats “weather balloon to the press.” Look at his eyes. He is not looking at the camera, but off camera. Regurgitating something he didn’t believe to please his superior officers.
If you read this blog, your take on what I ‘n’ I says next comes down to the Manichean choice. Do you believe Wikipedia or your Ace From Outer Space, Bobbylon the Ancient Astronaut Theorist?
My brother in law used to sell high tech pipe to irrigation and water conservation clients in Roswell. One day he took his client to lunch and asked, “So what’s the deal with the UFO’s”.
His customer, a ranch supply distributor, salt of the earth Southwest cowboy said outright. “The local coroner was told by the Army to deliver 3 child size coffins to the base. Why do you need coffins for a weather balloon?”
Game. Set. Match.
Ancient Astronaut Theorists 2; Scoffers 0
If you don’t trust I ‘n’ I do you trust Dwight Eisenhower. (He signed a treaty with the aliens. They can surveill us and we get their technology.)In 1954 Pres. Eisenhower went to play golf and developed a “tooth crisis” instead. He disappeared from Secret Service protection. Why?
He went up into a flying saucer to negotiate the treaty
Don’t like Ike? How about Tricky Dick? Nixon showed entertainer Jackie Gleason alien cadavers in cold storage at an Air Force base in Florida. Gleason had the world’s biggest UFO collection at the time, but seeing the reality of the alien corpses haunted him.
<Utnapishtim and his space ship. Not Noah’s Ark; 1 min. 45 sec.>
Not Noah and an Ark to survive the Great Flood. Just like outer space is the only way to escape the Covid, so was interplanetary travel the only way to survive the deluge. 500 years before the mud receded. No wooden ark with one family could survive that.
No ark. Spaceship….
More likely scenario? Sumerian immortal ancient alien, Utnapishtim, DNA seedbank to spaceship or . Noah’s Ark. 70 cubits by 70 cubits. Ricketty-ass wooden ark. One family to separate the carnivores from the herbivores, shovel shit and feed animals.
Ancient Astronaut Theory 5; Scoffers 0
<Gilgamesh, immortality and the serpent; 56 sec.>
As part of the Epic of Gilgamesh, Gil was half mortal/half immortal. He sought out Utnapishtim on his tesseract spaceship. Utnapushtim gave him the Tree of Life. Immortality secured, an exhausted Gilgamesh returned to Sumer (Shinar in the Bible) and fell asleep on a river bank.
The treacherous serpent slithered out of the reeds and stole away the Tree of Life (Eden). Gilgamesh died a mortal. As did Adam and Eve after their encounter with the snake.
Ancient Astronaut Theory 6, Scoffers 0
In Revelation, John the Revelator mentions the New Jerusalem. But he isn’t describing a city. It is a massive spaceship 1400 miles x 1400 miles:
Revelation 21:2 – I saw the Holy City, the New Jerusalem, coming down out of heaven from God, prepared as a bride beautifully dressed for her husband
Coming down out of heaven, prepared as a bride beautifully dressed. The jeweled dressing are the lights on the spaceship.
<New Jerusalem from the Book of Revelation is a spaceship>
Ancient Astronaut Theory 7; Scoffers 0
The Anunnaki – Those who camr down from the sky. The Ancient Sumerian Skygods: Anu, Marduk, Enki, Ishtar, Enlil and more. They created mankind to mine gold and travel in from the Planet Nibiru. My fellow Ancient Astronaut, Rasta bredrin, Tena Stelin does the roll call of all of Biblical stories of Ancient Aliens.
Tena Stelin – Flying Saucers; 7″ (River Bank) 2000; 1 min. 29 sec.
March 14th. That was the last time I ‘n’ I set foot in the Temple of Sound: KRCL. The beginning of the pandemic and then a few days later the Utah Earthquake.
A full 3 months of Living Room Editions out of the Secret Dubratory of the Smile Jamaica Ark-Ives.
Stitching the shows together from home was a nice way to fill the time spent under quarantine. But it did take a lot of time:
Upload song, move it into place on digital editor
Record set breaks with a decent but not great USB microphone
Edit it all together into 6 x 30 minute sets
Upload to cloud storage so Program Director can add it into the queue
I ‘n’ I would venture out at 4pm Saturday, (in my brand new Subaru Legacy) and run my weekend errands just like a regular Smile Jamaica listener. Just me and a few other intrepid souls on the Covid deserted roadways.
What’s not to love? I ‘n’ I could do this forever. Except…..
In the Ark-Ive, I ‘n’ I don’t have a wheel of steel connected to my laptop. That knocks about half of my potential out of rotation for homegrown shows.
The joy of taking the record out of the sleeve, placing it on the turntable, back queuing the song to start crisp. The warm rumble as the song kicks into life.
April slides into May. I’m getting antsy. Gentle inquiries about when KRCL deejays could return. Not yet. Not yet.
“I’ll go first. I’m too ornery for the Covid.”
Okay, okay. Grumble grumble. Then I ‘n’ I get the green light.
Rules for in-station deejays:
Only 1 deejay per day allowed live in the studio
Masks worn except when announcing
Wipe down surfaces
Wear gloves. Couldn’t queue records with two gloves, so went “commando” on my “queue” hand to find the right starting point
Disposable microphone “condom”
Studio keyboard wrapped in shrink wrap, so kept a playlist off my Ipad
Great to have a microphone that didn’t pop my “P’s”. Just came off the road ferrying my parents from Sun City West, AZ to Fort Benton, MT. Little cratedig in Missoula with my down time.
The days, weeks, months, slide together. So what should I do in my first live Smile Jamaica in 90 days?
Missed out on Mother’s Day Showcase because of lack of vinyl capacity. Let’s do Father’s Day!
So there I am juggling wax: 7″, 10″, 12″, LP. Even CDs. Back to my motto: No digital for I ‘n’ I
Hailing up the fathers! Then I ‘n’ I get a phone call. “Uh, according Google, Father’s Day is next Sunday.”
In radio, you are taught to never call attention to your mistakes. So I ‘n’ I just soldiered on knowing that by the time you get this Ark-Ive link, it will be properly Father’s Day Weekend.
Just as I ‘n’ I ….errr, planned it. Yeah!
Smile Jamaica Ark-Ives: June 13, 2020 – Father’s Day Showcase; 2 min. 27 sec.
The Wailers – Hallelujah Time; Burnin’ (Tuff Gong) ’73
IInd Street Dreds – Culture Rock; Dub of the 70’s (Atra) UK vinyl dub album of the hour
Charlie Ace – Father and Dreadlocks; 7″ (Studio One)
Black Roots – The Father; In Session (Makasound) ’85
Big Youth – Papa Was a Rolling Stone; Reggae Phenomenon (Trojan) ’77
Fort Knox Five – Papa Was Stoned; Radio Free DC (ESL) 2008 DC dubbers
George Nooks – Created by the Father; 12″ (Joe Frazier)
Prince Alla – In My Father’s House; Sweet Sensation (Cornerstone) ’84
Israel Vibration – Universal Father; Why You So Craven (RAS) ’81
Sister Carol – Mi Love the Father; Lyrically Potent (Heartbeat) ’96
Lascelles Perkins – Our Father; (Voice of Voice) ’70
Michigan & Smiley – Sugar Daddy; 12″ (RAS) ’83 dj duo
Errol Dunkley – Created by the Father; Darling Ooh (Attack) ’72
Lone Ranger – DJ Daddy; DJ Daddy (Techniques) ’84
Dennis Alcapone – Me and My Father a Spar; Good Old Days of the 70’s (Teams)
Fred Locks – Moving With the Father; Culturally (Tan Yah) ’95
R. Zee Jackson – Come Now Father; 10″ (Sip a Cup) 2005 UK
Aswad – In My Father’s House; Rebel Souls (Mango) ’84
Michael Robinson & XLR – Mother and Father; 7″ (Horse) ’75
The Ethiopian – Heavenly Father; Return of Jack Sparrow (Nighthawk) 8’7
Alton Ellis – Papa; 7″ (Clintones) ’75
Set 5: Vinyl is Vital
Don Carlos – Ababa John I (Father Majesty); Spread Out (Burning Sounds) ’83 UK
Merger – Father’s Children; Prisoner of Your Love (Takoma) ’84 US
Winston Reedy – Message to Father; Dim the Lights (Inner Light) ’85 UK
A. Doeman – Heavenly Father; Jah Jah Come Now (I & I Sound) 80’s LA
Ah, yes. The endorphin rush of finding that record. I ‘n’ I been a vinyl collector since clothes shopping with my Mom at Woolworth’s the beginning of 7th grade: ‘Sept. 77. The year the two sevens clashed.
My first “dig”: Best of the Doobie Brothers. (For a Seven Leaf guy, who knew the significance of that purchase 40 years on!)
With an extra Saturday, during the shortest month of the year, why note celebrate that legacy of vinyl collection with a trip down black wax memory lane on Smile Jamaica .
I was getting crosseyed with my bredrins Mike and Aquaboy. Friday 4:20. I ‘n’ I brought over a 60 minute mix for Mixcloud of my favorite UK Reggae faves. Segue into the first Black Sabbath album.
So I’n’ I said: Would you believe I have a 7″ record that mashes up Black Sabbath with Black Uhuru?
That’s the delight in record obsession. You’ve got Satanic Heavy Metal inna mi Rasta Roots Reggae!
<Guess Who’s Coming For Sweet Leaf>
Judah Eskender Tafari – Jah Light; Pirates Choice (Studio One) ’80 JA – 3 Hour Vinyl is Vital Show
Bullwackie’s All-Stars – Black Heart Dub; Dub Unlimited (Senrab) ’76 Dub album of the hour
Phillip Frazer – Watch This Sound; Big Showdown (Black Solidarity) ’85 JA Buffalo Springfield cover
The Specials – Friday Night Saturday Morning; 12″ (2 Tone) ’81 UK EP Ghost Train picture sleeve; 2 Tone ska
Quasar – Get Up Stand Up; Fresh (LASN) US Wailers cover
Chris Wayne – All the Plant Mi Plant; Progress (Heartbeat) ’89 US 4:20 Cannabis Service Announcement
Black Harmony – Our Feelings; 12″ (Cool Rockers) ’81 UK female lovers rock