Mixcloud flagged my upload for July 18, 2015 for violating the Digital Millennium Copy-wrong Act. Sorry!
<Smile Jamaica Ark-Ives: July 18, 2015: Best of 27 Years II – The 80’s; 2 hrs. 50 min.>
Greetings,
Loyal Mixcloud Smile Jamaica listeners. Feel free to listen to the Audio player above or at the end of this blog post. Not sure what happened. All I can think of is I must have replayed one of my Dub tracks that I chat over so the music never has to stop. Can’t do that according to the bullshit piece of legislation called the Digital Millennial Copy-wrong Act
Mixcloud’s naughty naughty:
Why can’t I listen? Licensing rules by country
Mixcloud is a licensed Internet radio service with agreements with various Collecting Societies around the world (who in turn pay royalties to labels and artists based on their individual recording and publishing deals).These agreements stipulate certain rules around what type of radio shows and DJ mixes can be listened to on Mixcloud:US Rules:
– Maximum 4 tracks by an artist (and max 3 consecutively)
- Maximum 3 tracks from an album (and max 2 consecutively)As music lovers ourselves, we understand that this may be frustrating, and we are working on new frameworks with rights-holders to build a better service for everyone.
***’
What bites is how can anything think I am trying to scam a copyright holder when I purposefully talk over the music so it is worthless to steal. Riding dub riddims while I announce the set list has been a part of Smile Jamaica since the very first show in 1989!
Grrr.
When this scam of a bill, another sellout to the music cartel, was being debated. I wasted my time by writing to Orrin Hatch explaining how I always give: artist, song, album, label. I don’t want people to steal the music I play. I want them to buy the music I play.
He sent me back some bullshit about how he was a music artist of note (yeah, right) and he was concerned about piracy.
We the Sheeple take in the neck yet again from our “leaders”.
<Orrin Hatch gives the Smile Jamaica Ark-Ives the finger>
Hey Orrin! No one on earth is interested in thiefing your shitty music. Smile Jamaica gives you the hairy eyeball!
As they say in the dancehall, “Hey Mi Selecta, rewind and come again!”
bless, robt
Ronnie Raygun is to blame
Greetings,
<Thanks for the positive feedback spinning Reggae Radio for 27 years! bless, robt; 17 sec.>
I have been fortunate enough to do Reggae Radio for 27 years now. July 1988-Aug. 1989 Graveyard stylee on 3 o’clock Roadblock (3 to 6am) Then by pure good luck of timing I moved over to Saturday Afternoons with Smile Jamaica (4 to 7 pm.) Oct. 1989-
<Much love to Juan Verde – John Greene. Who hired me to work for free on KRCL way back in 1988; 44 sec.>
John Greene, or as I call him Juan Verde, headman of KUER radio. Used to manage KRCL. The Lion of Community Radio in Utah
I got accepted into grad school at UCLA but didn’t get a fellowship so I stayed put in Utah. Worked my way into the U of U’s academic library about the same time as I did Smile Jamaica.
Planted my flag and never left both institutions. Last week I decided to celebrate that legacy with a stroll down musical memory lane. Tried to recreate my first show. Being a Librarian I put all my faves into some semblance of chronological order. Pretty much from 1970-1979 for 3 hours.
Had lots of great listener feedback. Thanking me for 27 years of service and killer music selection. When you have something in the neighborhood of 10,000 pieces of Reggae. 30 songs out of that Ark-Ive are are hard as diamond.
Why I have never moved from Salt Lake City. Too much hassle to move all this!
But I didn’t get into Reggae until 1986. So my contemporary absorption of Reggae would have been the 80’s era.
This week’s Podcast Ark-Ive celebrates that era.
Bob Marley died 1981
Yellowman became King of Reggae: slackness began to ascend while Roots started to wobble when Edward CIA-ga, the right wing Ronald Reagan fan took over Jamaica. The Socialists fell away and the Rastas lost their power base.
Cocaine took over for Ganja
Like all genres in the 80’s synthesized music began to replace traditional drum and bass.
Dancehall eclipsed Roots Reggae
Edward Seaga. Called by the Rastas CIA-ga. Right wing Neoliberal PM of Jamaica. Eradicated the weed while cocaine and dancehall took over culturally
***
I was alienated by modern dancehall. My contemporary fix was more into Mutant Dub. I paint a rather bleak picture!
But there was some great Roots Reggae even if the riddims started to blend traditional Reggae with digital drum and bass. This show fixates on the best of the 80’s Reggae that I collected alongside Reggae Revives and 70’s rarities.
I learned from the deejay on Smile Jamaica when I was a civilian listener, John “Rutabaga” Reese. He had the best Roots Reggae instincts of anyone around. I used to listen like the student I was, notebook in hand, jotting down names and titles of killer shots. One after another. Then I would take my list to the Bay Area and spend my student loan money building my Roots Collection; 22 sec.
bless, robt
Former Smile Jamaica host Rutabaga Reese turned me on to this. Best of the 80’s today
Here’s what’s on tap for the Smile Jamaica Ark-Ives: July 18, 2015 – Best of 27 Years Version 2: Favorite 80’s: 1980-1988; 1 min. 52 sec.
Set 1:
Black Uhuru – Party Next Door; Anthem (Island) ‘84
<During 3 O’Clock Roadblock I led off each show with a Black Uhuru jam; 29 sec.>
Jah Shaka Meets Aswad – Addis Ababa; In Addis Ababa (Jah Shaka) ’84 Dub Album of the Week
Peter Tosh – Reggaemyelitis; Wanted Dread & Alive (EMI America) ’81
<My first reggae LP; Xmas ‘81. Thanks Mom!; 15 sec.>
The Beat (aka The English Beat) – Tears of a Clown; I Just Can’t Stop It (Go Feet) ’80; 2 Tone Ska; Smokey Robinson cover
<The Beat called English Beat in US to avoid confusion over SoCal new wave/power pop group; 27 sec.>
John Holt – Police in Helicopter; Police in Helicopter (Greensleeves) ’82; 4:20 Cannabis Service Announcement
<John Holt – You burn down our weed fields, we’ll burn down your sugar cane and cassava fields; 31 sec.>
Black Slate – Reggae Music; Amigo (bbr) ’80 UK
Michael Prophet – Help Them Please; Gunman (Greensleeves) ‘80
#1 of thousands. Play on word: Not Wanted Dead or Alive. Wanted Dread and Alive
<Reggaemyelitis – There is no cure!; 25 sec.>
Set 2:
Bob Marley & the Wailers – Coming in From the Cold; Uprising (Tuff Gong) ‘80
Ranking Roger & Blue Riddim – America and Russia/Selective Service System (Nancy Goes to Moscow); 12” (ORA) La Habra, CA
Linton Kwesi Johnson – Street 66; Bass Culture (Mango) ’80 UK dub poet
The Selecter – Three Minute Hero; Too Much Pressure (2 Tone) ’80 UK; 2 Tone ska
Let ’em eat jelly beans
Set 3:
Dennis Brown – If I Had the World; Foul Play (A & M) ‘81
Aswad – Back to Africa; Showcase (Mango) ’81 UK
Rastafarians – Hold on Jah Jah Children; Orthodox (Makasound) ’81 Santa Cruz, CA
Dennis Brown – The Crown Prince of Reggae. Died in 1999 of pneumonia. 42 years young. Member of Jah’s Heavenly Choir
Set 4:
Steel Pulse – Ravers; True Democracy (Elektra) ’82 UK
Peter Broggs – Rastafari Liveth!; Rastafari Liveth! (RAS) ‘82
Fab 5 – Ooh! Ahh!; Countryman (Mango) ’82 sountrack
Gregory Isaacs – Night Nurse; Night Nurse (Mango) ‘82
<Jah’s Heavenly Choir: The Crown Prince of Reggae and his bredrin The Cool Ruler; 11 sec.>
Gregory Isaacs – The Cool Ruler. Passed away of lung cancer, 2010. 59 years young
Set 5:
Twinkle Brothers – Since I Throw the Comb Away; Live at Reggae Sunsplash (Genes) Aug. 7, 1982 Montego Bay, JA
<Since I Throw the Comb Away – lost my job, my family and my girl; 27 sec.>
Mutabaruka – Everytime A Ear de Soun; Check It! (Alligator) ’83 dub poet
Prince Far I – Survival; Umkhonto we Sizwe – Spear of the Nation (Tamoki Wambesi) ’83
<Prince Far I: You know a rude bwoy by the way he wears his cap; 34 sec.>
<Freelance album: held hostage in UK til they recorded an album since Gregory Isaacs was a no show; 39 sec.>
Yellowman – Strong Mi Strong; King Yellowman (Columbia) ’84 Bill Laswell
One of the first 10 Lps added to the Smile Jamaica Ark-Ives, 1986. All killer, no filler!
Set 8:
UB40 – All I Want to Do; Rat in Mi Kitchen (A & M) ’86 UK
<Traded a cassette dub of this album for U of U football tickets when a linebacker from Collie-fornya heard this booming out of my dorm room 1986; 28 sec.>
Sophia George – Girlie, Girlie; For Everyone (Pow Wow) ‘86
Toots Hibbert – Love and Happiness; In Memphis (Mango) ’88 Al Green cover
Alpha Blondy & the Wailers – Jerusalem; Jerusalem (Shanachie) ’86; Cote d’Ivoire artist
Livicated to dreads listening in Mali, West Africa
Words of Wisdom:
<Smile Jamaica Ark-Ives: July 18, 2015: Best of 27 Years II – The 80’s; 2 hrs. 50 min.>
Celebrating 27 Years of Reggae Radio! Give thanks!
Greetings,
Spring 1988. Salt Lake City/University of Utah Campus. Reagan’s last year in the White House; 21 sec.
Ronald Wilson Reagan – 666. Did fund the Smile Jamaica Ark-Ives via Student Loans and Pell Grants. Give thanx! Ronnie Raygun. Believed in UFO’s too
Celebrating 27 years of Reggae Radio. My roommate and I were in The Pie (University of Utah campus) listening to Community Station KRCL. They were looking for early morning hosts. Him and I went to the new volunteer meeting. He wanted to do College Rock. They had enough of that. I was interested in doing Reggae.
I had been a volunteer at the Univ. of Utah’s K-UTE “radio” station that only broadcast in the Student Union. Called my show Positive Vibrations after the Marley tune. But that wasn’t real radio. But gave me the idea Terrestrial Radio was something I wanted to do.
If I could commit to 3-6 AM, I could do a Reggae Show. Late Spring of ’88 radio training. 4th of July weekend: The debut of 3 O’Clock Road Block: Graveyard Roots Reggae Ska and African music. During the coldest winter in Decades. Praise Jah for AAA!
<1988 Alaska Clipper Winter; 34 sec.>
I was cratedigging in Montana during the actual 27 year date and the July 11 show was to commemorate that legacy. 43 sec.
Tunis, Montana – Suburb of Fort BentonPaid my dues early Mornings: 3 O’Clock Roadblock: Monday 3-6AM. KRCL 90.9FM July 1988-Aug. 1989
<Montana Roadtrip – Climate Report; 47 sec.>
bless, robt
Founded 1846. The Birthplace of I ‘n’ I: The Smile Jamaica Ark-Ives
SMILE JAMAICA ARK-IVES: JULY 11, 2015 PLAYLIST:
27 Year Anniversary: Best of the 70’s: Polyester nah jester! 15 sec.
The 70’s – Roots Reggae highpoint showcased on Smile Jamaica for two and a half decades plus
Set 1:
Naturalites – Picture on the Wall; Rub-a-Dubble Reggae vol. 1 (CSA) ’83 UK
Scientist – King of Dub (Kingdom) ’81 Dub Album of the Week
<First Dub Album added to the Smile Jamaica Ark-Ives: May 1987; 12 sec.>
Bob Marley & the Wailers – Jah Live; Countryman Soundtrack (Mango) ’76; you cyaan kill God!
<Jah Live – Bob’s comments on Selassie’s overthrow, 1974; 54 sec.>
The Dergue: Ethiopian Communists overthrow His Imperial Majesty, 1974.
Burning Spear – Door Peep Shall Not Enter; Presenting Burning Spear (Studio One) ‘70
In 1972 George Carlin did a famous routine on the Seven Dirty Words you can’t say on television (or radio)
shit
piss
fuck
cunt
cocksucker
motherfucker
tits
In Jamaica you might want to add a #8: bumbaclaat. When Aunt Flo comes a callin’ each month, Rasta women in Jamaica living in the hills don’t go for Kotex or Tampax but have to do what rural and poor women have done for centuries: rags.
In some Rasta societies the stigma of menstruation makes women “unclean” and they are often kept apart from the Rasta men.
The term used for these menstruation rags in Jamaica: bumbaclaat. Bumba slang word for….pussy. Claat/cloth = Bumbaclaat. It can also mean the rag you use to wipe your backside. A nasty epithet forbidden in polite company but a rude retort akin to dropping F-bombs from the stage.
Seven Dirty Words
Peter Tosh is most identified with the term. He put a song entitled “Bumbaclaat” on his album Wanted Dread & Alive. HIs American record label was none too happy and excised the song from domestic release. If you have seen the Tosh biography Red X, he talks about how a duppy (Jamaican malevolent spirit) paralyzed Peter one night and his only way to break free was to scream out BUMBACLAAT! to free himself from demonic possession.
That story is one of many I tell on the June 20, 2015 edition of Smile Jamaica. End of June 2015 tallies up 27 years of Reggae Radio for I ‘n’ I on KRCL 90.9FM Salt Lake City, Utah. Give thanx!
bless, robt
Bumbaclaat to chase the Devil away
<HIgh-lights of the June 20, 2015: Smile Jamaica Ark-Ives: 73 sec.>
Summer jam skiffle and soul covers
4:20 and Seven Leaf set, 4 down, 46 to go!
Wailers Family Tree: Tosh teaches us a swear word. Wailers mix ‘n’ match on Stop That Train – Catch a Fire. Marcia at Studo One. Bunny Wailer Gumption. Chalice covers Stevie livicated to Bob
Best of 25 Years: My favorite selections from 1988-1990 on Reggae Radio
Roots Dawtas – Marcia, Lorna, Ranking Ann, Fabiane, Alpha & Omega trancers, Marvels do Aretha
Vinyl is Vital: herb, dawta, deejays, youthmen
Mutant Dub: Jah-pon, Snoop, African Head Charge
Set 1:
Jimmy Riley – Summertime; 12” (DEB) ’75 from Porgy and Bess
<Summertime and the living is easy; 17 sec.>
Burning Babylon – Sproing-a-Dub; Beat, Beat, Beat (I Tones) 2008 Boston; Dub Album of the Week
Ken Boothe – In the Summertime; Keep on Running (Trojan) ’70 Mungo Jerry cover; 15 sec.
Marvels – Rock Steady; 100% Dynamite (Soul Jazz) ’71 Aretha Franklin cover w/ female vox; 7 sec.
Max Romeo – My Jamaica Collie; Pray For Me (Trojan) ’73; 4:20 Cannabis Service Announcement; over My Jamaican Girl
<Max Romeo – My Jamaica Collie; 13 sec.>
Chalice – Master Blaster (Jammin’); Best of Reggae (Sonoma); Stevie Wonder tribute to Bob Marley
<Stevie Wonder – Master Blaster Jammin’; 6 sec.>
<Bought this one at the Mall-Wart; 26 sec.>
Only go in one of these when I have to chauffeur my Mom around town
Set 2:
Peter Tosh – African; Live at the Jamaican World Music Festival (Peter Tosh Foundation); 11/27/82: Montego Bay, JA
<Jamaican swear word: Bumbaclaat!1 min. 41 sec.>
Fabiane – Prophecy; 12 the Hardway (Tribes Man)
Dennis Brown – No More Shall I Roam; 10” (Observer) ‘74
Bumbaclaat – Jamaican F-bomb
Set 3: Best of 25 Years – Smile Jamaica
Bim Sherman – Slummy Ghetto; Across the Red Sea (ON U Sound) ’82
Catch a Fire LP and Harder They Come Soundtrack/Movie lit the fuse on Reggae in the West & World-wide!
<End of June: 27 Years of Reggae Radio! 34 sec.>
<High-lights of the June 13, 2015: Smile Jamaica Arkives; 2 min 18 sec.>
Dub Album of the Week: Black Disciples dubs to Burning Spear’s Marcus Garvey LP
Vinyl Is Vital: All Seven Leaf Black Wax. 4 down, 46 to go!
Jamaican Jukebox: 7″ 45s. Rarest of the Rare!
Best of 25 Years: My Favorites year one of Reggae Radio: 1988-1990
Mutant Dub
Wailers Family Tree: Dubble dose of Stir It Up: JA vs. UK/US mixes. Bunny Wailers dubble dose of Ballroom Floor. Tosh lie at the Jamaica World Music Festiva; 11/27/82 – Montego Bay, JA
Roots Dawtas: Marcia Griffitsh, French Dubstress,
Disco Mix: Don Carlos, French mutant dub
Tosh played at Sunrise
Set 1;
Don Carlos – I Love Jah; 10” (Negus Roots) ’80
Black Disciples – The Ghost; Garvey’s Ghost (Mango) ’76 Dub Album of the Week
African Head Charge – Somebody Touch I; Shashamane Land (ON U Sound) ’93 Africanized Mutant Dub
<Shashamane: Jamaican Rastas in Ethiopia; 24 sec.>
Marcia Griffiths – I’ve Got to Go Back Home; Naturally (Shanachie) ’78 Bob Andy cover
<Zion is My Home: Fort Benton, Montana; 15 sec.>
Pioneers – Feeling High; From the Beginning (Jet Star) ’79; 4:20 Cannabis Service Announcement
<4 down, 46 to go!; 12 sec.>
The Specials – Stereotype Pt. 1 & 2; More Specials (2 Tone) ’80 UK; 2 Tone ska
My Birthplace as well!
Set 2: Best of Smile Jamaica: 25 Years
George Faith – Opportunity; To Be a Lover (Mango) ’77 Lee “Scratch” Perry Black Ark
<Blues Reggae Singer: George Faith; 15 sec.>
Jimmy Riley – From the Ghetto; Clocktower Classics (Clocktower); ’75 Brad Osborne prod’ns
Ernest Wilson – I Know Myself; Channel One Hitbound: The Revolutionary Sound (Heartbeat) ’74 HooKim Bros. prod’n
<HooKim Brothers: Chinese Jamaicans; 23 sec.>
Mad Professor vs. Puls Der Zeit – Abu Dhabi Check; At Checkpoint Charlie (ROIR) ’89 German dubbers
<Cold War II: The Sequels are Never Better Than the Original; 27 sec.>
War in Transnistria begins World War III
Set 3:
Peter Tosh – Stepping Razor; Live at the Jamaica World Music Festival (Peter Tosh Foundation); 11/27/82 Montego Bay, JA
<Christened the Bob Marley Performing Arts Center; 18 sec.>
Taj Weekes & Adowa – Lonesome in Babylon; Hope & Doubt (Alpha Pocket) 2005 St. Lucia; Request
<Adowa: Where the Ethiopians defeated the Italian invaders; 27 sec.>
Version feat. Naima – Jah Jah Love; 10” (Webcam Hi Fi) 2007 Fr.; Mutant dub w/ female vox
Menlik II, HIM Grandfather defeats the Italian invaders at Adowa, Ethiopia
Is Reggae music gospel music? Yes and no. What attracted me to Reggae back in the mid 80s was certainly the Rastafari themed music from stalwarts (pronounced stal-a-watt in Jamaica) like Marley, Tosh and Spear.
Of course there is plenty of non-religious Reggae: love songs, pop and soul covers.
I doubt Reggae would have had such cultural saturation in the West on the backs of novelty hits like “Fattie Boom Boom” and “Israelites” or AM covers with a shuffle beat. Something about Reggae’s heavenly message attracted interested Westerners looking for something exotic and non-mainstream.
In the 70s lots of people in the West opted out of Christianity, (especially Catholicism and Judaism), and went for something new. Some went to cults. Others went for Reggae: Movement of Jah People while also protesting against the “system.” Or the corrupt and greedy “shit-stem” as Peter Tosh called it. Socialism with a small “s”.
Tired of doing the Judeo-Christian bit? Choose: Jim Jones or Haile Selassie
You don’t have to be a Rasta to sing or enjoy Reggae. But the conventional wisdom is that Reggae is identified as a counter cultural exploration of worship of His Imperial Majesty as a Black Jesus. West Africans ripped from the continent, put down in Jamaica in bondage and expected to worship their master’s white god.
Rebelling against that physical and mental slavery, while still preserving Christian traditions, led to Rastafari in Jamaica: Look to a black king crowned in East Africa. The return of Jesus who will lead blacks out of “Babylon” (The West, Jamaica, UK, America, etc.) to “Zion” (Africa or better still Ethiopia.)
I’m not a Rasta. My roots are in Northern Europe and Iran. I consider myself a Rastafari empathizer. Someone who understands and appreciates the religion as a devoted observer. Not a devotee.
The Smile Jamaica formula: 50% Rasta music; 20% Mutant Dub; 20% Seven Leaf; 9% UFOs; 1% Lovers Rock
I grew up a twice a year Methodist: Christmas Eve and Easter. The only time the Nelson family really went to weekly Sunday service was the two years my Dad was on the City Council in Fort Benton Montana.
Not that I haven’t been trying to be a “missionary” for the secular consumption of Reggae music. I celebrate Jah for the inspiration in thousands of Reggae tunes that fill my soul with joy. But I am careful not to endorse HIM out of respect for true believers. I don’t want to be a part of what Jacob Miller complained about: Too much commercialization of Rastafari!
Yours truly, Bobbylon, is a Rasta empthazier. I ‘n’ I look to the heavens for Ancient Aliens. Not Skygods
The reason I bring this up: I had an interview with Jamaican Reggae singer Etana. So I do what I normally do before a phone interview: go on Wikipedia and read up on the artist’s entry.
Her album I Rise starts off with a gospel cover of a brilliant Bob Marley cover tune: Selassie is the Chapel. Itself an update of an old American gospel tune. Covered by Elvis.
Etana’s entry mentioned her recording genres thusly: Reggae, Gospel.
Reggae Singer Etana. Gave me the Hairy Eyeball for calling her a Reggae AND Gospel singer. Mea culpa!
While introducing her to the radio listeners, I casually mentioned Etana was a Reggae and Gospel artist coming to town. She interrupted me and corrected me. She was most certainly NOT a Gospel singer. Her music was not geared to religiosity.
No worries. I did political interviews for 9 years. You don’t have to agree with me to have a conversation.
But when you lead off your album with a Rasta cover of a full on gospel song you can see where I might have been mistaken!; 21 sec.
By the way, I am not religious either. What earthlings worshipped as Skygods were Ancient Aliens colonizing Earth to mine gold to take back to their homeworld, Nibiru, beyond our galaxy.
Set your I watch alarm to 2900AD. That’s when the Anunnaki return to Earth.
Skygods came from here. The 12th Planet. Do not scoff!
In fact Etana the Reggae Singer, meet Etana the Sumerian King
Etana was an ancient Sumerian king of the city of Kish. According to the Sumerian King List, he reigned after the deluge. The list also calls Etana “the shepherd, who ascended to heaven and consolidated all the foreign countries”, and states that he ruled 1560 years.
Ascended to Heaven in a Chariot of the Gods (Erich Von Daniken)
Read this book. It makes sensi to me!
Here is what I have for you during the next 3 hours of Roots Reggae, Dubwize and Gospel; 18 sec.
Annotated Playlist (photos, captions, Reggae History Lessons, soundbytes)
Smile Jamaica Ark-Ives: May 30, 3015:
Set 1:
Wayne Jarrett – Saturday Night Jamboree; 12” (Dub Irator) ‘80
Bullwackies All Stars – Recording Connection; Black World (Wackies) ’79 Dub Album of the Week
Dennis Brown – Emmanuel God Is With Us; 10” (Glimmer) ‘78
Mike Brooks – Good Herb; Earth Is the Fullness (Moll-Selekta) 4:20 Cannabis Service Announcement; 13 sec.
George Faith – Opportunity; To Be a Lover (Mango) ’77 Lee “Scratch” Perry prod’n
<Black Ark Sound: Lee “Scratch” Perry & the Upsetters: 1974-1979>
UK masters of the drum & bassline
Set 2:
Peter Tosh – Handsome Johnny; Talking Revolution (Pressure Sounds); live on the JBC, Kingston, JA acoustic
Jah Glen – Save Our Nation; 10” (South East Music) ’79; Glen Brown prod’n over Lambsbread riddim
Jennifer Gad – Babylon Must Fall; Solid Foundation (Flag) ‘92
Bunny Wailer – Bald Head Jesus; Liberation (Shanachie) ‘88
<Bunny Wailer: Jesus was a Dreadlock; 60 sec.>
Wikipedia entry for Nazirites (aka Rastas who live by the Nazarene Creed)
Abstain from wine, wine vinegar, grapes, raisins, intoxicating liquors,[vinegar distilled from such substances,and eating or drinking any substance that contains any trace of grapes.
Refrain from cutting the hair on one’s head; but to allow the locks of the head’s hair to grow. Neither crease one’s flesh.
Not to become ritually impure by contact with corpses or graves, even those of family members.
The Nazirite Vow
Set 3: Best of 25 Years of Smile Jamaica; 14 sec.
Scotty – Draw Your Brakes; Unbelievable Sounds (Trojan) ’71
<Scotty: Forward ‘n’ Payaka! Mon-ackle ‘n’ dem go Sacka!; 53 sec.>
Burning Spear – Fire Down Below; Presenting (Studio One) ‘72
Errol Dunkley – Baby I Love You; Darling Ooh (Attack) ‘72
Judy Mowatt – Zion Chant; Black Woman (Shanachie) ‘76
A+ Record.
Set 4:
The Wailers – Lively Up Yourself; Burnin’ (Deluxe Edition); Live at Leeds UK; 11/23/73
Lively up yourself and don’t be no drag. Reggae is another bag
Set 5: Vinyl is V-Ital Set
Bam Bam – Slave; Power of a Woman (Bam Bam International) ’87; female artist out of Los Angeles: Vinyl is V-Ital Set
Horace Andy – Mr. Bassie; Don’t Stop (Island in the Sun) ’85 Corona, NY
Toyan – Herb Transplant; Every Posse Want Me (Live & Learn) ’83 DC
Amjam – Give the People; Live Off the Board (Celluloid) ’87 US; Am(erican)Jam(aican)
SoCal Reggae. Features Hunt Sales of David Bowie/Tin Machine fame
Set 6: Jamaican Jukebox 7″ 45s
<Rarest Reggae not on Digital; 35 sec.>
Michael Palmer – Don’t Smoke the Seed; 7” (Hitbound) ’83 JA herbtune
<NORML sez: 10 billion in legal weed sales this year; 4 down, 46 to go! 33 sec.>
Happy Mother’s Day. Love my Yimma: Jeannette in Fort Benton, Montana
<Roadmap for the May 9 Ark-Ive; 49 sec.>
Greetings,
Happy Mother’s Day! Gonna start the Smile Jamaica Ark-Ives May 9, 2015 with a great Mother’s Day tune.
Tammy Wynette did the Country original. Sonya Spence the Reggae version. Every Mother’s Day Saturday, I will play this tune. It brings this blackheart nearly to tears thinking about the love for my own Yimma – (Mother in Assyrian), Jeannette living in Fort Benton, Montana.
Tammy Wynette – No Charge
<Sonya Spence’s Reggae version of “No Charge”; 54 sec.>
My little girl came up to me in the kitchen this evenin’ While I was fixing supper And she handed me a piece of paper she’d been writin’ on And after wipin’ my hands on my apron I read it, and this is what it said
For mowin’ the yard, five dollars For makin’ my own bed this week, one dollar Goin’ to the store, fifty cents Playin’ with little sister while you went to the store, twenty-five cents
Takin’ out the trash, one dollar Gettin’ a good report card, five dollars And for rakin’ the yard, two dollars Total owed, fourteen dollars and seventy-five cents
Well, I looked at her standin’ there expectantly And a thousand memories flashed through my mind And so I picked up the pen, and turnin’ the paper over This is what I wrote
For the nine months I’ve carried you growin’ inside me, no charge For the nights I’ve sat up with you, doctored you, prayed for you, no charge For the ties, folding clothes and for wipin’ your nose, there’s no charge When you add it all up, the full cost of my love is, no charge
Well, when she finished readin’ she had great big old tears in her eyes And she looked up at me and said, “Mommy, I sure do love you” Then she took the pen and in great big letters she wrote, ‘Paid in full’ When you add it all up, the cost of real love is, no charge
Killer song. Brings tears to your eyes
Smile Jamaica Ark-Ives May 9, 2015: Annotated Playlist (Reggae History Lessons, soundbytes, photos, captions)
The Tamlins – Baltimore; Taxi Fare (Heartbeat) ’80; Nina Simone cover; 13 sec.
Capital Letters – Run Run Run; Headline News (Greensleeves) ’79 UK youth group
Peter Broggs – Just Because I’m a Rastaman; Rastafari Liveth! (RAS) ’82 DC
Akabu – Feeling Good; Warrior Queen (ON U Sound) ’89 UK female group
1978 comeback cover of Randy Newman. Baltimore in the news.
Baltimore by Randy Newman
Beat-up little seagull
On a marble stair
Tryin’ to find the ocean Lookin’ everywhere
Hard times in the city In a hard town by the sea Ain’t nowhere to run to There ain’t nothin’ here for free
Hooker on the corner Waitin’ for a train Drunk lyin’ on the sidewalk Sleepin’ in the rain
And they hide their faces And they hide their eyes ’cause the city’s dyin’ And they don’t know why
Oh, baltimore Man, it’s hard just to live Oh, baltimore Man, it’s hard just to live, just to live
Get my sister sandy And my little brother ray Buy a big old wagon Gonna haul us all away
Livin’ in the country Where the mountain’s high Never comin’ back here ’til the day I die
Oh, baltimore Man, it’s hard just to live Oh, baltimore Man, it’s hard just to live, just to live
Set 6: Jamaican Jukebox 45 RPM; 6 sec.
Rob Smarley (aka Albert Griffiths) – Holiday Ride; 7” (Portland) ’78 JA; 7” Jamaican Jukebox set
<Albert Griffiths as Rob Smarley? 14 sec.>
Anthony Johnson – Oh Jah; 7” (Corner Stone) JA
Lady Ann – Informer; 7” (Taxi) ’83 JA
Carlton Livingston – Chalice in Hand; 7” (Taxi) herbtune
Some sort of inside joke by The Gladiators lead singer? Albert Griffiths
Set 8: Mutant Dub*
*Programming Note: power surge from all the Mutant Dub bass knocked the station off air. Most of Jah Woosh and 2 Bad Card zapped by KRCL’s weak sauce transmitter. 2 minutes of dead air chopped from the stream. Mea culpa — the Smile Jamaica Ark-Ives. 21 sec.
Ari Up – Kill Em With Love (Collision) 2005 former lead singer of The Slits punk group; mutant dub set
<Reggae History Lesson: punk dubstress Ari Up: The Slits, New Age Steppers, solo 14 sec.>
The Archives feat. Ras Puma – Who’s Correct?; The Archives (ESL) 2012; Eric Hilton of Thievery Corporation
Red I – Jahdgement Day; Jahdgement Day (Red I) Phillipines dub
Jah Woosh – Woodpecker Sound; Wild Paarty Sounds vol. 1 (ON U Sound) ‘81
2 Bad Card – Weed Specialist; CD single (ON U Sound) ‘95
Jah Rej – Yes I; 12” (Jah Works)
African Head Charge – Fruit Market; Drastic Season (ON U Sound) ‘83
Ari Up of The Slits and New Age Steppers. Johnny Rotten was her father in law
Parting Shot Words of Wisdom: Do yourself a favor educate your mind!
The Lion of Judah shall break every chain and give I the Victory again and again…Robert “Nesta” Marley
Mankind Liberation Front – Dope Dream; Grass Soundtrack (Mercury) 2000
Armagideon – Grow More Dub; Through the Haze (Dubhead) ‘98 UK
Dr. Israel & Brooklyn Jungle Sound System – Sensi Man; Black Rose Liberation (Baraka) 2001 Brooklyn
Thievery Corporation – Lebanese Blonde (French Version); CD Single (ESL) ’98 DC; herb flavor
The Archives feat. Ras Puma; Sensibility (The Archives) DC 2012
Bongrips on the Moon while listening to Smile Jamaica. I am so high right now! Is this Heaven?
Smile Jamaica is hosted by Robert Nelson on 90.9 FM KRCL in Salt Lake City, Utah (Saturdays, 4-7 p.m. MT). Ark-ives available weekly here at the Smile Jamaica blog.
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